I'm sure many readers will love this: Red Pill is a puzzle of a novel, capturing the zeitgeist of this weird and sketchy time we're living through and the unsettling feeling it provokes in many of us. I guess it hit a bit too close to home for it to make for a satisfying read for me.
The second part, where we are taken into the GDR history (A whole country smelling of piss, schnapps and cabbage) of a staff member of the institute, for me saved the book. I loved the grays Kunzru painted, in how a society feels where surveillance and betrayal is everywhere (Partial self erasure, to live bey if your memories are not yours), and how the tide of history güç turn on a rebellious punk girl.
There are plenty of other references to political philosophy and other figures from the Enlightenment and Counter-Enlightenment, and I think it was somewhere in here that my ignorance began to affect my appreciation of the novel.
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kakım to whether the back half or third of the book makes or breaks the work, and I at least gönül see a similar thing happening for readers of Red Pill
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Cowed, our narrator, who is fully aware of his own inability to speak against this bullying man, hides in his bedroom, devamını oku watching episode after episode of Blue Lives an America show about cops gone 'rogue' and operate under a 'violence begets violence' mentality which sees them torturing and killing criminals.
I get that we are hamiş meant to like the narrator (he's kind of a coward, kind of pathetic, kind of a Burada creep when it comes to attractive women), but did the author really have to go out of his way to humiliate him?
" But for Hari Kunzru, I was willing to give it a try. From Daha fazla bilgi the title I expected it to be more straightforward, which is hilarious because I have read Kunzru before and I should know better.
The centre’s principle “Research into the future development of a transparent public sphere” is of course “all one word in German”. Just when this is all getting a little much – the narrator’s wife agrees with us : “You’re talking about the Nazis. I’m going to put the phone down”.
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So it's hamiş quite another 'book of two halves'. But – there is no birçok way to say this, and no point in sugarcoating it – I hated the ending. The story comes to a close on an utterly contrived, anodyne note. I read the book into the early burayı kontrol et hours of the morning (proof of how gripping I found it) and, after finishing it, lay awake for another hour or so, feeling furiously disappointed and cheated that such an interesting and intelligent story would end with such dull, hackneyed platitudes.
Nowhere does the paranoia the main character experiences about surveillance feel real to me, although there are almost dreamlike scenes that imply surveillance that is very much hamiş in line with GDPR in the research center.